IZZY LOVELESS

I got into the tattoo scene around 2015. Drawing was always there, I just didn’t know where it would take me. 

My work sits somewhere between dark ornamental, neotribal, neojapanese influences, and minimalism, sometimes with a geometric edge. 

I don’t lock myself into one style, I adjust to what the idea needs, with a strong foundation in black and grey and traditional tattooing. 

I don’t force the process. Some pieces come together freehand, some need a stencil. It depends on what makes the tattoo sit right. 

Mostly self taught, learning by doing, messing up, improving, repeat. I’ve worked in different countries alongside great artists, picking up the nuances of the craft. Over time you develop an eye for it naturally. 

Working as a walk-in artist early on taught me to be a versatile artist and adapt fast. Different ideas, different people, no time to overcomplicate things. 

At some point it stopped being just about the design. It became more about flow, balance, and how the tattoo lives on the body long term. 

I care more about balance and longevity than overloading a design. If it sits right, it speaks for itself. You might enjoy it more than you think.

Izzy 2026